This Review by Frederick Rogers in the Sunday mail, Brisbane 9 November 1969 contains a response to my exhibition of hard edge paintings and shaped canvases at the Design Arts Centre Brisbane. This response to hard edge work was fairly typical of the period.
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Review by Frederick Rogers 1969
Sunday Mail, Brisbane 9/11/1969
An ‘imaginative’ art display by women
By Frederic Rogers
NOBODY will deny that women are enthusiasts in painting but it is rarely that a showing appears as corroborative of the fact as that of the Royal Queensland Art Society's "women only" exhibit at the society's rooms (Upper Edward Street).
Here, more than 40 women members have combined to provide a showing of paintings and ceramics that not only bears witness to the growing strength of the organisation, but holds hope of the birth of an awareness of contemporary trends in art.
Purely representational canvases, to be sure, still
dominate the showing but pieces by younger
members explore wider fields with a great deal of imagination.
At the Design Arts Centre (167 Elizabeth Street) two vastly diverse painters attract attention — Arthur Wicks, with "space" conceptions and Kenith Willes, with more or less traditional essays that indicate a preoccupation with atmosphere rather than conventional representa tion..
Willes' work I find uneven — some pieces full of the atmosphere he appears to be seeking, others seemingly cerebral rather than emotional -- an error for any painter concerned with reflective representation.
Frankly, Wicks leaves me unimpressed if not antagonistic. Whatever his intention — and that, I admit, I fail to perceive — the result as far as I am concerned is perhaps not formless but certainly a void.
Alan Baker's showing of predominantly flower studies at the Moreton Galleries (108 Edward Street) is a well-wrought, copy-book exposition of the genre.